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In only one passage are the two artists considered together, and an admirer a priori like sigma Chiovenda could hardly fail to find it "eigen- artig."This occurs in a letter to Guido Sette (tam , V, 17) which Wilkins dates around '42-'43, in which case Simone, who died in 1344, would have been still living, contrary to the impression to be gained from an unwary reading of the document, How- ever this may be, the passage, although abruptly introduced, appears less extravagant when re- lated to the general theme, than a letter to Sitle

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removed the author. But seemingly irrevocably lost,

probably the earnings and goings of admirers! only the (reproach?) comparison which covers AFTER the passage, of having written a "pulera" little though being himself an "ignoble" man; (since