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similar period of intimacy. In this cursory archivists' identification I would like to add * this observation: that in the celebrated painted leaf page the poet himself makes use of a * medioevally? retrospective induction] with respect to the taste of the painter. Having to fill the two illuminated pages of Petrarch takes recourse in what was unusual for him although common in the epigraphic middle ages, namely, bonitios? : distichs (of verses not elegiace but still hexametric such as like the trivially) scolastic ones of the Dicta Catonis, redeemed by the rhyme. The same meter was adopted for what has been considered a certificate of merit from a satisfied client unframed [mounted]; but here, furthermore [in addition], the Senatald Symonem (which even [also] the prosody?, forced and projectile , seems unsurprising of tone) recalls sure not by chance, the similarly alliterative formula used for the signature - at that time however, vulgar - a quarter of a century earlier (1315), in the Maestà di Palazzo pubblico, "Siena a man di Simone".