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49 and 1827, there seemed to be a mania for writing for the stage in Guada and a good many original pieces as well as translations were represented.[[Monuga Revenga?}}, Lillas Garza?,Basninele?, and Krichauff's Adelaide of Wulfingen were translated by a friend of mine as Unclear in the English Language and were all well received more particularly the last, on account of the attacks it contains on the