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to the ficta effigies we cannot add I imagine from the sonnet Poi che fiamma? (CXXX). "Che fe" nonzeusi, o Prasitete?, o Fidia? Ma miglior mastro et di pui alto ingengo," as in the opinion of the commentators listed by the Chiòrboli, with which curiously enough Moschetti Lionello Venturi, Chiovenda and De Rinaldis (not Müntx and D'Essling, however group themselves; Simone may not have favored? himself ad mastro (ordinarily interpreted as Love) thus acclaimed as superior to the old masters, superseding whom, if the protrait was executed in Paradise (Pir? mirar) would be none other than The Creator Himself. Nor can we agree with