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rises to terminate in a steeple, and extending the scene horizontally at the bottom in an enchanting view of swamp with birds and fishes. In this connection a grouping under the heading of "naturalismo avignonese" as recognized by Enrico Castelnuovo in his excellent monograph, published in 1961, on Matteo da unclear (An Italian painter at the Court of Avignon. Matteo Giovanetti and Painting in Provence in the 15th? century.)of Petrarch "naturalistico" with them this and other artists, particularly the Italian and Transalpino collaborators of Matteo who painted the verdant charms of verdure, of fishing and stag hunting in the Chamber of the Wardrobe (or of the Stag)" in the Papal Palace of Avignon. Here, coming to the aid of the critic, are the at places of Fam. XIII, 8 already adopted by others--on the two "ortuli" of Valchiusa--XVII5-- also in the country "ad fontem unclear - III, 22- of his place in Valchiusa--); and the importance which the suggestions of Petrarch had for the garden of Urban V, brought out by De unclear