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-6- recherche le bénéfice des conseils de son labeur meaccent cicumflex above the eme. Voilà pourquoi et comment il se défie d'oublier que l'oeuvre étant in pencil 9 soumise aux yeux cruels et doux de la lumière, doit conditionner sa plastique en raison d'un accord tacite de sa masse rythmée et de l'atomosphère lumineuse qui, agissant sur elle, doit las révéler en toute sa fleur et sa puissance.
Floquet ("7 Arts" 1927).
Comme tous les artistes vértiablement originaux possèdent des natures qui par quelque coaccent cicumflex above the oté sont toujours primitives, in pencil 10 Zadkine doit eaccent cicumflex above the etre naturellement apparenté aux plus anciens ar- tistes de toutes les régions terrestres, et ce non pas par al- liance comme la critique voudrait le donner à entendre, mais bien par les plus authentiques liens du sang. Maurice RAYNAL
Les sujets meaccent cicumflex above the emes de Zadkine sont des plus simples, mais des plus essentiels aussi de la vie et du monde, Sans rien de in pencil 11 recherche, de bizarre, d'artificiellement délicat ou subtil... Son art enfin qui m'est ni ornemental, ni anecdotique, mais expressif, se révèle dramatique et religieux comme celui de toutes les périodes que ne leurrèrent pas de fausses images.
in pencil-- Andre de Ridder
in pencil_______________________________________________________________________________
For Zadkine, form and the search for new formal rythms, are not ends in themselves. He seems to suggest indeed that form itself is an illusion created by the play of light upon on in pencil 12 object. He is content to sacrifice an eternal truth of form to capture and record his impression of his subject in light as some particular moment of time. "The critic" 1928.
in pencil English translations above each line of the 3 texts in French
shows the benefits of the results of his own labor. That is how and why it must not be forgotten that the work being subject to cruel eyes and gently to the light, must conform its shape so as it make a tacit harmony between its rhythmic mass & of the luminous atmosphere which playing upon it, must reveal it in all its beauty and strength.
Like all artists truly original possessing Natures which on one side are always primitive Zadkine must be naturally related to the most ancient artists of all the terrestrial regions, and it is not by alliance as the critic stroked out criticism would give you to believe, but by the most authentic blood ties.
Even the subject of Zadkine are the simple, but the most essential, also to life and the world. Without anything affected, bizarre, artificially delicate or subtle.. His art which is neither ornamental nor anecdotal, but expressive, reveals the dramatic and religious as that of all the periods which false images could not lure.