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rises to terminate in a steeple, and extending the scene horizontally at the bottom in an enchanting view of swamp with birds and fishes. In this connection a grouping under the heading of "naturalismo avignonese" crossed out as recognized by Enrico Castelnuovo in his excellent monograph, published in 1962, on Matteo da Viterbo (An Italian Painter at the Court of Avignon. Matteo Giovanetti and Painting in Provence in the 15th century.) del/of Petrarch "naturalistico" with these/this and other artists*, particularly the Italian and Transalpine collaborators of Matteo who painted the verdant charms of verdure, of fishing and stag hunting in the Chamber of the Wardrobe (or of the Stag)" in the Papal Palace of Avignon. Here, coming to the aid of the critic, are the at places of Fam. XIII, 8 already adopted by others--on the two "ortuli" of Valchiusa--XVII5-- also in the country "ad fontem Sorgie" - III, 22- of his place in Valchiusa--); and the importance which the suggestions of Petrarch had for the garden of Urban V, brought out by De [[unclear] ]Nolthae,