.NDQ.MjI0MDc: Difference between revisions
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[page is | [page 94, hand marked on the upper right corner, with even margins cut on the book building process, and decorated with a double frame. The outer frame is a sequencial and regular stream of equidistant flowers rimmed with four leaves, assuming a square shape coronated by the flower; the second and inner frame is separated from the text and outer frame by lines, and is a sequential pattern of vines shaped in a C shape, only the C is turned inwards, facing the text.] | ||
PER LA FESTIVITA' DELLI SANTI MARTIRI | PER LA FESTIVITA' DELLI SANTI MARTIRI | ||
COSMO, E DAMIANO | COSMO, E DAMIANO | ||
| Line 9: | Line 10: | ||
Ad istanza di Felice Canati, Isidoro Traui, Nicolò Farina CONSOLI, | Ad istanza di Felice Canati, Isidoro Traui, Nicolò Farina CONSOLI, | ||
e Francesco Alfonsi CAMERLENGO. | e Francesco Alfonsi CAMERLENGO. | ||
[Illustration of two figures, flanked by a | |||
[Illustration of two figures that face each other, and appear to be walking, by the flection of their knees. The left one holds a palm leaf (iconological marker of martyrdom) that covers his right shoulder, and the right one holds a palm leaf in his left hand (but the palm leaf is lowered, | |||
The two figures are flanked by laurel wreaths, each tied by a ribboned knot - one at each side of the anthropomorphic figures] | |||
Alludesi al Prodigio del Fuoco, in cui essendo gettati detti Santi Martiri, | Alludesi al Prodigio del Fuoco, in cui essendo gettati detti Santi Martiri, | ||
da loro sen fugge. | da loro sen fugge. | ||
[Capitular letter framed by a profusion of flowes and leaves assuming a square, slightly irregular shape] C | |||
HE i Germani d'Egea, ardor vorace | |||
Nulla offendesse, à gran portento ascriuo: | Nulla offendesse, à gran portento ascriuo: | ||
Mà nel rogo ciò vide espresso al | Mà nel rogo ciò vide espresso al viuo | ||
Già d'Isdraele il Condottier sagace. | Già d'Isdraele il Condottier sagace. | ||
Latest revision as of 22:36, 13 September 2017
[page 94, hand marked on the upper right corner, with even margins cut on the book building process, and decorated with a double frame. The outer frame is a sequencial and regular stream of equidistant flowers rimmed with four leaves, assuming a square shape coronated by the flower; the second and inner frame is separated from the text and outer frame by lines, and is a sequential pattern of vines shaped in a C shape, only the C is turned inwards, facing the text.]
PER LA FESTIVITA' DELLI SANTI MARTIRI COSMO, E DAMIANO Celebrata in Roma dall' Vniuersità, e Collegio de' BARBIERI. SONETTO Dedicato all'Eminentissimo, e Reuerendissimo Signore, il Signor Cardinale GIO: BATTISTA SPINOLA PROTETTORE VIGILANTISSIMO DI DETTA VNIVERSITA'. Ad istanza di Felice Canati, Isidoro Traui, Nicolò Farina CONSOLI, e Francesco Alfonsi CAMERLENGO.
[Illustration of two figures that face each other, and appear to be walking, by the flection of their knees. The left one holds a palm leaf (iconological marker of martyrdom) that covers his right shoulder, and the right one holds a palm leaf in his left hand (but the palm leaf is lowered, The two figures are flanked by laurel wreaths, each tied by a ribboned knot - one at each side of the anthropomorphic figures]
Alludesi al Prodigio del Fuoco, in cui essendo gettati detti Santi Martiri, da loro sen fugge.
[Capitular letter framed by a profusion of flowes and leaves assuming a square, slightly irregular shape] C HE i Germani d'Egea, ardor vorace Nulla offendesse, à gran portento ascriuo: Mà nel rogo ciò vide espresso al viuo Già d'Isdraele il Condottier sagace.
Ammiro pur ; ch' entro del rogo Edace Festeggiasse all'incendio il Cor gioliuo : Mà goderono ancor plauso festiuo Gli Ebrei Fanciulli entro feral Fornace.
Or che dati alle fiamme, il Foco à volo Da lor fuggisse, e dal penoso loco ; Intese mai un tal prodigio il Suolo ?
Lo sò ben'io ; perche douean frà poco Gir fra' Beati ad habitar su'l Polo ; Al viaggio lor si fece scorta il Foco.
Del Sig. Paolo Alfonsi. [line] IN ROMA, Per Marc' Antonio, & Orazio Campana 1692. Con Licenza de' Superiori.