.MTQ2Ng.MTI3NDA3: Difference between revisions

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4 [[underlined]]
4 [[underlined]]
That the divine inspiration lifts itself up to the heights of the sublime and these moments are so many mileposts on the way to immorality. From the point of view of economy art is a sunday child of refinement and luxury and therfore [[therefore]] as in historical periods of Italy and France, the art was blooming, but even now in our time of (?illegible) and engineering art is advancing. Conquering laurels protected by the wealthy, and such an art as Emile Zoirsis deserving before everything an attentive understanding.
That the divine inspiration lifts itself up to the heights of the sublime and these moments are so many mileposts on the way to immorality. From the point of view of economy art is a sunday child of refinement and luxury and therfore [[therefore]] as in historical periods of Italy and France, the art was blooming, but even now in our time of (?illegible) and engineering art is advancing. Conquering laurels protected by the wealthy, and such an art as Emile Zoirsis deserving before everything an attentive understanding.
Emile Zoir is without comparison

Revision as of 06:38, 23 March 2023

4 underlined That the divine inspiration lifts itself up to the heights of the sublime and these moments are so many mileposts on the way to immorality. From the point of view of economy art is a sunday child of refinement and luxury and therfore therefore as in historical periods of Italy and France, the art was blooming, but even now in our time of (?illegible) and engineering art is advancing. Conquering laurels protected by the wealthy, and such an art as Emile Zoirsis deserving before everything an attentive understanding. Emile Zoir is without comparison