.MTM5Ng.MTIwNzEz: Difference between revisions
No edit summary |
CastleCourt (talk | contribs) No edit summary |
||
| Line 3: | Line 3: | ||
with the describer of exquisite pleasures and their | with the describer of exquisite pleasures and their | ||
pragmatic co-ordinator. | pragmatic co-ordinator. | ||
Continuity of a slightly different nature | Continuity of a slightly different nature | ||
can be established for the graphic studies done | can be established for the graphic studies [done] from | ||
the hand of Petrarch in the footsteps of the scholar who | |||
in addition to beyond the famous vision of the Elicona trans- | in addition to/ beyond the famous vision of the "Elicona trans- | ||
alpino," has searched the | alpino," has searched the selvedges of manuscripts, | ||
almost a reserve of points, | almost a reserve of points, caprices or notes, produced | ||
by the same instruments as had fixed the word. | by the same instruments as had fixed the word. | ||
Lines symbolic of mountains and rivers (which | Lines symbolic of mountains and rivers (which | ||
| Line 15: | Line 15: | ||
castel Sant'Angelo which recalls somewhat | castel Sant'Angelo which recalls somewhat | ||
crudely, the male figures of the codex of San | crudely, the male figures of the codex of San | ||
Giorgio; masculine profiles intended whether as portraits simply | Giorgio;) [[crossed out: virile]] masculine profiles intended whether as portraits or simply as | ||
amusement (although the Petrarch likenesses are notoriously created as accompaniments to | amusement/entertainment (although ^less improbably the Petrarch likenesses | ||
the manuscripts of his [[ | are notoriously created as accompaniments to | ||
the manuscripts of his [[?]] here & head perfectly are phase in - | |||
there a quantity of little hands, even with supernumerary | there a quantity of little hands, even with supernumerary | ||
fingers, of which the disproportionate | fingers, of which the disproportionate | ||
Latest revision as of 03:31, 28 May 2022
did not escape Castelnuovo. An aesthetic continuity, unites Petrarch, acclaimed artist for a day, with the describer of exquisite pleasures and their pragmatic co-ordinator.
Continuity of a slightly different nature
can be established for the graphic studies [done] from the hand of Petrarch in the footsteps of the scholar who in addition to/ beyond the famous vision of the "Elicona trans- alpino," has searched the selvedges of manuscripts, almost a reserve of points, caprices or notes, produced by the same instruments as had fixed the word. Lines symbolic of mountains and rivers (which recall the lost art of the cartographer); sketches of monuments (in the ever-serviceable Pliny, a castel Sant'Angelo which recalls somewhat crudely, the male figures of the codex of San Giorgio;) crossed out: virile masculine profiles intended whether as portraits or simply as amusement/entertainment (although ^less improbably the Petrarch likenesses are notoriously created as accompaniments to the manuscripts of his ? here & head perfectly are phase in - there a quantity of little hands, even with supernumerary fingers, of which the disproportionate