.MTM5Ng.MTIwNzE0: Difference between revisions

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rises to terminate in a steeple, and extending
rises to terminate in a steeple, and extending
the scene horizontally at the bottom in an  
the scene horizontally at the bottom in an  
enchanting view of swamp with buds and [[unclear]]. A grouping  
enchanting view of swamp with birds and fishes. In this connection a grouping  
under the [[unclear]] of "naturalisms [[unclear]]"
under the heading of "naturalismo avignonese"
as recognized by [[name unclear]] in his  
as recognized by Enrico Castelnuovo in his  
excellent monograph, published in 1961, on Matteo  
excellent monograph, published in 1961, on Matteo  
da [[unclear]] (An Italian painter at the Court of Avignon. Matteo [[unclear]] and painting in  
da [[unclear]] (An Italian painter at the Court of Avignon. Matteo Giovanetti and Painting in  
[[unclear]] in the [[15th?]] century.) [[unclear]] Petrarch "naturalistico"
Provence in the [[15th?]] century.)of Petrarch "naturalistico"
with there this and other artists,  
with them this and other artists,  
partially the Italian and [[unclear]] alpine
particularly the Italian and Transalpino
collaborators of Matteo who painted the [[unclear]] charms  
collaborators of Matteo who painted the verdant charms  
of [[unclear]], of fishing and stag hunting  
of verdure, of fishing and stag hunting  
in the [[unclear]] of the Wardrobe (or of the Stag)" in the Papal Palace of Avignon
in the Chamber of the Wardrobe (or of the Stag)" in the Papal Palace of Avignon.
Here, earning to the aid fo the cities, breathe al-places  
Here, coming to the aid of the critic, are the at
already adopted by others on the two  
places of Fam. XIII, 8 already adopted by others--on the two  
"[[unclear]]" of {{Valehinsa?]] - XVII5 - also in the  
"ortuli" of Valchiusa--XVII5-- also in the  
country  
country "ad fontem [[unclear]] - III, 22- of his place in Valchiusa--); and the importance  
"ad fontem [[unclear]] - III, 22- of his place in Valehinsa -); and the importance which the suggestions of Petrarch had for the  
which the suggestions of Petrarch had for the  
garden of [[unclear]], V, brought out by De [[unclear]]
garden of Urban V, brought out by De [[unclear]]

Revision as of 16:58, 21 January 2022

rises to terminate in a steeple, and extending the scene horizontally at the bottom in an enchanting view of swamp with birds and fishes. In this connection a grouping under the heading of "naturalismo avignonese" as recognized by Enrico Castelnuovo in his excellent monograph, published in 1961, on Matteo da unclear (An Italian painter at the Court of Avignon. Matteo Giovanetti and Painting in Provence in the 15th? century.)of Petrarch "naturalistico" with them this and other artists, particularly the Italian and Transalpino collaborators of Matteo who painted the verdant charms of verdure, of fishing and stag hunting in the Chamber of the Wardrobe (or of the Stag)" in the Papal Palace of Avignon. Here, coming to the aid of the critic, are the at places of Fam. XIII, 8 already adopted by others--on the two "ortuli" of Valchiusa--XVII5-- also in the country "ad fontem unclear - III, 22- of his place in Valchiusa--); and the importance which the suggestions of Petrarch had for the garden of Urban V, brought out by De unclear