.MTM5Ng.MTIwNzEz: Difference between revisions
KyroBrandon (talk | contribs) (Created page with "did not escape unclear. On aesthetics unclear unites Petrarch, acclaimed albeit for a day, with the describe of exquisite pleasures and their pragmatic co-ordination...") |
No edit summary |
||
Line 1: | Line 1: | ||
did not escape | did not escape Castelnuovo. An aesthetic continuity, | ||
unites Petrarch, acclaimed | unites Petrarch, acclaimed artist for a day, | ||
with the | with the describer of exquisite pleasures and their | ||
pragmatic co- | pragmatic co-ordinator. | ||
Continuity of a slightly different nature | Continuity of a slightly different nature | ||
can be established for the graphic studies done | can be established for the graphic studies done |
Revision as of 16:42, 21 January 2022
did not escape Castelnuovo. An aesthetic continuity, unites Petrarch, acclaimed artist for a day, with the describer of exquisite pleasures and their pragmatic co-ordinator. Continuity of a slightly different nature can be established for the graphic studies done at the hand of Petrarch in the footsteps of the scholar who in addition beyond new famous vision of the [[unclear unclear- unclear]], has searched the unclear of manuscripts, almost a reserve of unclear unclear on notes, produced by the same instruments as had fixed the word. Lines symbolic of mountains and rivers (which recall the lost art of the earthgrapher?; sketches of monuments (in the ever-unclear, a unclear Angels which recalls somewhat crudely, the rest of lind unclear unclear profiles intended whether as portraits of simply unclear amusement (although the Petrarch likenesses are notoriously created as accompaniments to the manuscripts of his cousin? rest of line unclear there a quantity of unclear hands, even with unclear unclear unclear unclear, of which the disproportionate