.MTM5Ng.MTIwNzM5: Difference between revisions

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from which one gathers that the testator bequeaths to the gentlemen of Padova, Francesco il Vechio da Carrara, as the only possession "worthy of him": tabulam meam sive iconam Beate Virginia Maria etc.... Such a tablet no longer exists to-day but we are accustomed to [over-written:  recognize] identify it with the Madonna called "del Petrarca" situated on the altar in the right transept of the Cathedral of Padova.   We are accustomed, but not on the part of the specialists, beginning with Moschetti since it is clearly a work of North Italian origin, even if we neglect its relations, direct or indirect (one author believed it to be a product of the 15th century) with a [?] of Santa Justina, which was the object of a controversy among the specialists.  There still remains the fact of its Giottism, authoritatively proclaimed (Torsca, 1927: "in its robust modelling, as in the appearance of the baby, it demonstrates its experience of the Giottesque renewal"; [?] 1946: "The oldest & most intelligent Giottesque transposition in Veneto"; Torsca again, 1953: "already one glimpses the presence
from which one gathers that the [[unclear]] bequeaths to the gentlemen of Padova, Francesco it
have his da Carrara, as the only permissive "worthy of him":
[[unclear]] mean [[rest of line unclear]]
Such a tablet no longer exists  
to-day but we are accustomed to identify it with
the Madonna called "del Petranco" situated on
the altar of the sight [[unclear]] of the [[unclear]] in
the Cathedral of Padova. We are accustomed, but not on the part of the specialists, beginning with  
Moschetti since it is clearly a work of North Italian or
gin, even if we neglect its relations, direct or indirect
(one author believed it to be a product of the [[unclear]] industry) with a [[unclear]] of Santa [[unclear]],
the object of a controversy among the specialists,
there still remains the fact of the [[unclear]]
authoritatively proclaimed ([[unclear]], 1927: "in to
[[unclear]] modelling, as in the appearance of the
baby, demonstrates its experience of the [[unclear]]
[[unclear]] renewal; [[Jonghi?]] 1946: The oldest most intelligent
[[unclear]] Transportation in [[unclear]]; [[unclear]]
again, 1953: 'already one [[rest of line unclear]]

Latest revision as of 04:41, 14 October 2021

from which one gathers that the unclear bequeaths to the gentlemen of Padova, Francesco it have his da Carrara, as the only permissive "worthy of him": unclear mean rest of line unclear Such a tablet no longer exists to-day but we are accustomed to identify it with the Madonna called "del Petranco" situated on the altar of the sight unclear of the unclear in the Cathedral of Padova. We are accustomed, but not on the part of the specialists, beginning with Moschetti since it is clearly a work of North Italian or gin, even if we neglect its relations, direct or indirect (one author believed it to be a product of the unclear industry) with a unclear of Santa unclear, the object of a controversy among the specialists, there still remains the fact of the unclear authoritatively proclaimed (unclear, 1927: "in to unclear modelling, as in the appearance of the baby, demonstrates its experience of the unclear unclear renewal; Jonghi? 1946: The oldest most intelligent unclear Transportation in unclear; unclear again, 1953: 'already one rest of line unclear