.MTM5OA.MTIwODcw: Difference between revisions
(Created page with "Introduce: Leopold & the 32 The musical evening of the [??] *Eminent in the musical life of Rome, and Director of Santa Cecilia, was Ottorine Raspighi. This is not to say t...") |
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Introduce: Leopold & the 32 | Introduce: Leopold & the 32 | ||
The musical evening of the [??] | The musical evening of the [[Fisk? Dra?]] | ||
*Eminent in the musical life of Rome, | *Eminent in the musical life of Rome, | ||
and Director of Santa Cecilia, was | and Director of Santa Cecilia, was Ottorino | ||
Raspighi. This is | Raspighi. This is in Italy | ||
not to say that | not to say that Respighi was either understood or appreciated | ||
in Italy for he was neither. I do not remember just when | in Italy for he was neither. I do not remember just when | ||
"The Pikes" was first played but in 1926 nobody | "The Pikes" was first played but in 1926 nobody | ||
tired of castigating the company for his use of recording | tired of castigating the company for his use of a recording | ||
of the real nightingales song. Raspighi was | of the real nightingales song. Raspighi was | ||
a master of orchestral color, and the results were | a master of orchestral color, and the results were | ||
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booed and whistled vigorously when music | booed and whistled vigorously when music | ||
by Respighi was played. | by Respighi was played. | ||
He died a number of years ago and now | |||
his nightingale sings from all the concert | his nightingale sings from all the concert | ||
platforms of the | platforms of the occident even in Rome, without | ||
Revision as of 20:38, 16 July 2021
Introduce: Leopold & the 32 The musical evening of the Fisk? Dra?
- Eminent in the musical life of Rome,
and Director of Santa Cecilia, was Ottorino Raspighi. This is in Italy not to say that Respighi was either understood or appreciated in Italy for he was neither. I do not remember just when "The Pikes" was first played but in 1926 nobody tired of castigating the company for his use of a recording of the real nightingales song. Raspighi was a master of orchestral color, and the results were often rather nice, people said but it wasn't healthy music: and he had to take his themes from Gregorian chants because he couldn't think up any of his own. and the gallery booed and whistled vigorously when music by Respighi was played.
He died a number of years ago and now
his nightingale sings from all the concert platforms of the occident even in Rome, without