.MTM5OA.MTIwODY5: Difference between revisions
(Created page with "and ideal friendship could never again be evoked. Of his published works I know only two: a novel entitled "Luce Fredda" and a later book entitled,"Teandezza & Serviti del cin...") |
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Of his published works I know only two: a | Of his published works I know only two: a | ||
novel entitled "Luce Fredda" and a later book | novel entitled "Luce Fredda" and a later book | ||
entitled," | entitled,"Grandezza e Servitir del cinema." | ||
Italy in those times was | Italy in those times was full of music. Operatic | ||
arias floated up from streets and walled lanes, | arias floated up from streets and walled lanes, | ||
fields and shops, along with Neapolitan songs, | fields and shops, along with Neapolitan songs, | ||
| Line 10: | Line 10: | ||
the Conservatory of Santa Cecilia was thorough | the Conservatory of Santa Cecilia was thorough | ||
and comprehensive. Children entered at six years | and comprehensive. Children entered at six years | ||
of age and spent the first two years on | of age and spent the first two years on solfeggio | ||
and the fundamentals of music so that by the time | and the fundamentals of music so that by the time | ||
they were allowed to take up their intended instruments | they were allowed to take up their intended instruments | ||
they were already accustomed to the | they were already accustomed to the | ||
language of music and were yet to develop the technical | language of music and were yet to develop the technical [technique] | ||
of the instrument. Here also a great seriousness obtained | of the instrument. Here also a great seriousness obtained | ||
and no compositions were permitted other | and no compositions were permitted other | ||
Revision as of 19:17, 16 July 2021
and ideal friendship could never again be evoked. Of his published works I know only two: a novel entitled "Luce Fredda" and a later book entitled,"Grandezza e Servitir del cinema."
Italy in those times was full of music. Operatic arias floated up from streets and walled lanes, fields and shops, along with Neapolitan songs, and a musical education as it was offered at the Conservatory of Santa Cecilia was thorough and comprehensive. Children entered at six years of age and spent the first two years on solfeggio and the fundamentals of music so that by the time they were allowed to take up their intended instruments they were already accustomed to the language of music and were yet to develop the technical [technique] of the instrument. Here also a great seriousness obtained and no compositions were permitted other than exercise, until each student had found his own characteristic art and was equipped with technical means far beyond the demands of the