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and 1827, there seemed to be a mania for writing for the stage in Guada and a good many original pieces as well as translations were represented.[[Monuga's?]] Revenge, | and 1827, there seemed to be a mania for writing for the stage in Guada and a good many original pieces as well as translations were represented.[[Monuga's?]] Revenge, Lillo's George Barnwell, and Kotzebue's Adelaide of Wulfingen were translated by a friend of mine as [[Unclear]] in the English Language and were all well received more particularly the last, on account of the attacks it contains on the | ||
Revision as of 19:54, 5 July 2020
49 and 1827, there seemed to be a mania for writing for the stage in Guada and a good many original pieces as well as translations were represented.Monuga's? Revenge, Lillo's George Barnwell, and Kotzebue's Adelaide of Wulfingen were translated by a friend of mine as Unclear in the English Language and were all well received more particularly the last, on account of the attacks it contains on the