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Translation from the Italian Emile Zoir underlined - likely Carl Emil Zoir When trying such an experiment as to analize a prominent artist, like Emile Zoir and his works. I do it with a certain doubt. It being a difficult thing to do in a short article and to give the true characterization of a man, whose genius already has attained universal recognition and admiration. In the younger European art the powerful figure of Emile Zoir. Is looming strong and mighty against the darkness and despair, now enveloping the art of Europe. Zoir is the Swedish champion of modern time combatting the degeneration now prevailing. So Nordström likely Karl Nordström,, Larson likely Carl Olof Larsson, Liljefors likely Bruno Andreas Liljefors and Zoir about thirty years ago broke through, bringing with them the new awakeded young French art and the fresh breszes blowing in Paris, where Manet, Sisley, Monet, Degas and others began a fight for light, so was Emile Zoirs name intimately tied to the modern movements in Italy,France and Germany. We find here an artist paving his way to now roads leading to higher regions of art.”Just as Whistler and Manet, who looked for new possessions in art, he has been strongly discussed. Zoir ignores the public. He leaves it to themselves to understand his preachings. In all of his works we find, that he detests the old way of copying nature, He creates but seeks his models in nature. Zoir works for creation of thoughts, instead of only attracting importance to a passing sentiment or beautiful shade of light. It has been said that he disguises colors, but this is false judged from the canvases.I have occasion to study in the great exhibitions. I admit that color in general stands