.MTM5Ng.MTIwNzE0: Difference between revisions

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rises to terminate in a steeple, and extending
rises to terminate in a steeple, and extending
the scene horizontally at the bottom in an  
the scene horizontally at the bottom in an  
enchanting view of swamp with buds and [[unclear]]. A grouping  
enchanting view of swamp with birds and fishes. In this connection a grouping  
under the [[unclear]] of "naturalisms [[unclear]]"
under the heading of "naturalismo avignonese"
as recognized by [[name unclear]] in his  
[[crossed out]] as recognized by Enrico Castelnuovo in his  
excellent monograph, published in 1961, on Matteo  
excellent monograph, published in 1962, on Matteo  
da [[unclear]] (An Italian painter at the Court of Avignon. Matteo [[unclear]] and painting in  
da Viterbo (An Italian Painter at the Court of  
[[unclear]] in the [[15th?]] century.) [[unclear]] Petrarch "naturalistico"
Avignon. Matteo Giovanetti and Painting in  
with there this and other artists,  
Provence in the 15th century.) del/of Petrarch "naturalistico"
partially the Italian and [[unclear]] alpine
with these/this and other artists*,  
collaborators of Matteo who painted the [[unclear]] charms  
particularly the Italian and Transalpine
of [[unclear]], of fishing and stag hunting  
collaborators of Matteo who painted the verdant charms  
in the [[unclear]] of the Wardrobe (or of the Stag)" in the Papal Palace of Avignon
of verdure, of fishing and stag hunting  
Here, earning to the aid fo the cities, breathe al-places  
in the Chamber of the Wardrobe (or of the  
already adopted by others on the two  
Stag)" in the Papal Palace of Avignon.
"[[unclear]]" of {{Valehinsa?]] - XVII5 - also in the  
Here, coming to the aid of the critic, are the at
country  
places of Fam. XIII, 8 already adopted by others--on the two  
"ad fontem [[unclear]] - III, 22- of his place in Valehinsa -); and the importance which the suggestions of Petrarch had for the  
"ortuli" of Valchiusa--XVII5-- also in the  
garden of [[unclear]], V, brought out by De [[unclear]]
country "ad fontem Sorgie" - III, 22- of his
place in Valchiusa--); and the importance  
which the suggestions of Petrarch had for the  
garden of Urban V, brought out by De [[unclear] ]Nolthae,

Latest revision as of 03:39, 28 May 2022

rises to terminate in a steeple, and extending the scene horizontally at the bottom in an enchanting view of swamp with birds and fishes. In this connection a grouping under the heading of "naturalismo avignonese" crossed out as recognized by Enrico Castelnuovo in his excellent monograph, published in 1962, on Matteo da Viterbo (An Italian Painter at the Court of Avignon. Matteo Giovanetti and Painting in Provence in the 15th century.) del/of Petrarch "naturalistico" with these/this and other artists*, particularly the Italian and Transalpine collaborators of Matteo who painted the verdant charms of verdure, of fishing and stag hunting in the Chamber of the Wardrobe (or of the Stag)" in the Papal Palace of Avignon. Here, coming to the aid of the critic, are the at places of Fam. XIII, 8 already adopted by others--on the two "ortuli" of Valchiusa--XVII5-- also in the country "ad fontem Sorgie" - III, 22- of his place in Valchiusa--); and the importance which the suggestions of Petrarch had for the garden of Urban V, brought out by De [[unclear] ]Nolthae,

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