.MTM5Ng.MTIwNzEz: Difference between revisions

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(Created page with "did not escape unclear. On aesthetics unclear unites Petrarch, acclaimed albeit for a day, with the describe of exquisite pleasures and their pragmatic co-ordination...")
 
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did not escape [[unclear]]. On aesthetics [[unclear]]
did not escape Castelnuovo. An aesthetic continuity,
unites Petrarch, acclaimed albeit for a day,  
unites Petrarch, acclaimed artist for a day,  
with the describe of exquisite pleasures and their  
with the describer of exquisite pleasures and their  
pragmatic co-ordination.  
pragmatic co-ordinator.  
Continuity of a slightly different nature
    Continuity of a slightly different nature
can be established for the graphic studies done  
can be established for the graphic studies [done] from
at the hand of Petrarch in the footsteps of the scholar who  
the hand of Petrarch in the footsteps of the scholar who  
in addition beyond new famous vision of the [[unclear unclear-
in addition to/ beyond the famous vision of the "Elicona trans-
unclear]], has searched the [[unclear]] of manuscripts,  
alpino," has searched the selvedges of manuscripts,  
almost a reserve of [[unclear unclear]] on notes, produced  
almost a reserve of points, caprices or notes, produced  
by the same instruments as had fixed the word.  
by the same instruments as had fixed the word.  
Lines symbolic of mountains and rivers (which
Lines symbolic of mountains and rivers (which
recall the lost art of the [[earthgrapher?]]; sketches of monuments (in the ever-[[unclear]], a
recall the lost art of the cartographer); sketches of  
[[unclear]] Angels which recalls somewhat  
monuments (in the ever-serviceable Pliny, a
crudely, the [[rest of lind unclear]]
castel Sant'Angelo which recalls somewhat  
[[unclear]] profiles intended whether as portraits of simply [[unclear]]
crudely, the male figures of the codex of San
amusement (although the Petrarch likenesses are notoriously created as accompaniments to  
Giorgio;) [[crossed out:  virile]] masculine profiles intended whether as portraits or simply as
the manuscripts of his [[cousin?]] [[rest of line unclear]]
amusement/entertainment (although ^less improbably the Petrarch likenesses  
there a quantity of [[unclear]] hands, even with [[unclear]]
are notoriously created as accompaniments to  
[[unclear unclear unclear]], of which the disproportionate
the manuscripts of his [[?]] here & head perfectly are phase in -
there a quantity of little hands, even with supernumerary
fingers, of which the disproportionate

Latest revision as of 03:31, 28 May 2022

did not escape Castelnuovo. An aesthetic continuity, unites Petrarch, acclaimed artist for a day, with the describer of exquisite pleasures and their pragmatic co-ordinator. 

   Continuity of a slightly different nature

can be established for the graphic studies [done] from the hand of Petrarch in the footsteps of the scholar who in addition to/ beyond the famous vision of the "Elicona trans- alpino," has searched the selvedges of manuscripts, almost a reserve of points, caprices or notes, produced by the same instruments as had fixed the word. Lines symbolic of mountains and rivers (which recall the lost art of the cartographer); sketches of monuments (in the ever-serviceable Pliny, a castel Sant'Angelo which recalls somewhat crudely, the male figures of the codex of San Giorgio;) crossed out: virile masculine profiles intended whether as portraits or simply as amusement/entertainment (although ^less improbably the Petrarch likenesses are notoriously created as accompaniments to the manuscripts of his ? here & head perfectly are phase in - there a quantity of little hands, even with supernumerary fingers, of which the disproportionate

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