.MTM5Ng.MTIwNzEy: Difference between revisions

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indices are extended on [[unclear]] to indicate steps;  
indices are extended or flexed to indicate steps;  
similarly, prolongation on integration of [[unclear]] analagous serve  
similarly, prolongations on integration of painted arabesques serve  
as forms in the dialogue which the solitary poet [[unclear]]
as forms in the dialogue which the solitary poet assiduously
carries on with himself, non-verbal discoveries  
carries on with himself, non-verbal discoveries  
which extend the written word.  
which extend the written word.  
In our [[unclear]] summary of the [[unclear]] of the  
In our cursory summary of the phenomenology of the  
relations of Petrarch to the visual arts, we have  
relations of Petrarch to the visual arts, we have  
already happened upon an answer to the primary  
already happened upon an answer to the primary  
question having to do with our problems, namely,  
question having to do with our problem, namely,  
which [[unclear]] visualization is not closely related to  
which pictorial visualization is most closely related to  
that of Petrarch more of less in the direction  
that of Petrarch more of less in the direction  
indicated for French researches by Helmut A.  
indicated for French researchers by Helmut A.  
Hatzfeld in his manual of 1952, literature through  
Hatzfield in his manual of 1952, Literature through  
Art, in the sense in which it has been said that  
Art.  In the sense in which it has been said that  
Petrarch was a collaboration with the brand, "natural-
Petrarch was a collaborator in the bund, "natural-
ismo [[unclear]]," Petrarch [[unclear]] appears as an  
ismo avignonese," Petrarchism appears as an  
obvious parallel to the so-called "unintentional
obvious parallel to the so-called "international
[[unclear]] which takes it as a necessary prodecure,  
Gothic" which takes it as a necessary precedent,  
an Elysium populated by creatures of pleasure  
an Elysium populated by creatures of pleasure  
like the [[unclear]] brother, Stefano da Colonna  
like the Limbourg brothers, Stefano da Colonna  
and the other Stefano, da Pevio, [[unclear]]
and the other Stefano, da Zevio, Michelino
da Besezzo up to [[unclear.]] If [[unclear]] alludes.
da Besozzo up to Gentile. If "naturalismo" alludes

Latest revision as of 03:22, 28 May 2022

indices are extended or flexed to indicate steps; similarly, prolongations on integration of painted arabesques serve as forms in the dialogue which the solitary poet assiduously carries on with himself, non-verbal discoveries which extend the written word. In our cursory summary of the phenomenology of the relations of Petrarch to the visual arts, we have already happened upon an answer to the primary question having to do with our problem, namely, which pictorial visualization is most closely related to that of Petrarch more of less in the direction indicated for French researchers by Helmut A. Hatzfield in his manual of 1952, Literature through Art. In the sense in which it has been said that Petrarch was a collaborator in the bund, "natural- ismo avignonese," Petrarchism appears as an obvious parallel to the so-called "international Gothic" which takes it as a necessary precedent, an Elysium populated by creatures of pleasure like the Limbourg brothers, Stefano da Colonna and the other Stefano, da Zevio, Michelino da Besozzo up to Gentile. If "naturalismo" alludes