.MTM5Ng.MTIwNzEw: Difference between revisions

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(Created page with "unclear who tour his large head-justify their unnatural postures by their fixed gaze upon the beard discovered revealed in an attitude of inspiration: and then their mo...")
 
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[[unclear]] who tour his large head-justify their  
[[unclear]] whobows [[crossed out:  bends]] his large head - justify their  
unnatural postures by their fixed gaze upon  
unnatural postures by their gaze fixed upon  
the beard discovered revealed in an attitude of inspiration:  
the bard discovered/revealed in an attitude of inspiration:  
and then their motions this fixed, conform to the quill in the poet's hand, the tree which bends  
and their motions thus fixed, conform to the  
over him, the profile of the [[flocks?]], the [[unclear]] and  
quill in the poet's hand, the tree which bends  
hours, and the [[unclear]] like the pruning [[hook?]], even  
over him, the profile of the flocks, the trunks and  
to the spread winds in which the pages seem to  
bows, [[crossed out: and]] the young shoots coiling like the pruning hook, even  
[[terminate?]] [[unclear unclear unclear]] we might well
to the [[crossed out: spread]] wings in which the pages seem  
say,
[to terminate.  Ut poesis pictura, we might well
say,
              Here the author/owner and the consigner hovered/stood/impinged
from close at hand. But what were my emotions, if
I may be permitted a personal confession, when
I found before me, in the National Gallery of London
the Hilton diptych in which I seemed to recognize [[crossed out:  see]]
a perfect figurative equivalent, devoid of anecdotal
link of the vision of Petrarch. With this
single [[crossed out: personal]] subjective impression I will close this
recapitulation of data and commentary from
a chapter which is one of the most seductive in
the history of occidental culture.

Latest revision as of 03:44, 27 May 2022

unclear whobows crossed out: bends his large head - justify their unnatural postures by their gaze fixed upon the bard discovered/revealed in an attitude of inspiration: and their motions thus fixed, conform to the quill in the poet's hand, the tree which bends over him, the profile of the flocks, the trunks and bows, crossed out: and the young shoots coiling like the pruning hook, even to the crossed out: spread wings in which the pages seem [to terminate. Ut poesis pictura, we might well say,

             Here the author/owner and the consigner hovered/stood/impinged 

from close at hand. But what were my emotions, if I may be permitted a personal confession, when I found before me, in the National Gallery of London the Hilton diptych in which I seemed to recognize crossed out: see a perfect figurative equivalent, devoid of anecdotal link of the vision of Petrarch. With this single crossed out: personal subjective impression I will close this recapitulation of data and commentary from a chapter which is one of the most seductive in the history of occidental culture.