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                                                   thing for he can not stop at idealism, at
                                                   thing for he can not stop at idealism, at
                                                   the abstraction & traditional sculpture.
                                                   the abstraction & traditional sculpture.
                                                   This 'neo-realism" finds in him a necessity to follow
                                                   This "neo-realism" finds in him a necessity to follow
                                                   by means of living works--the word is his - the most introspective thoughts
                                                   by means of living works--the word is his - the most introspective thoughts
                                                   and the most mysterious in life.  His love of the
                                                   and the most mysterious in life.  His love of the

Latest revision as of 17:27, 26 July 2023

                                                               Extrait de "Zadkine" dans
                         
                                                                        L'ART VIVANT
                                                                    du 15 Septembre  1930

in pencil I in pencil EXCERPTSunderlined from Criticisms on Zadkine's work..

                                                  .....Son retour au primitivsme est une chose parfaitement
                                                  naturelle, car il ne pouvait s'arrecircomflex accent above e à l'idéalisme, à l'abs-
                                                  trait de la plastique traditionnelle. Ce "néo-réalisme" répond
                                                  chez lui à un besoin de suivre, au moyen d'oeuvres vivantes
                                                  - le mot est de lui, - les faits les plus intérieurs et les plus
                                                  mystérieux dela vie.  Son amour de la figure humaine n'est pas
                                                  le moindre signe de cet instinct lyrique, qui fait de Zadkine
                                                  l'émule, le pair des imagiers populaires du moyen aaccent circomflex over age et des
                                                  idolaaccent circomflex over atres nègres inconnus.
                                                        Le commentaire le plus explicite de la sculpture de
                                                  Zadkine nous est donné par ses gouaches, où il aime portraire
                                                  des scènes paysannes.  Il ya a un "style Zadkine" qui fait qu'on
                                                  ne peut confondre avec mille autres ces oevrettes pleines de
                                                  vérité et de poésie.  D'autre part, on y perccedilla below coit cette science
                                                  du trait, cette solidité dans la composition que l'on retrouve
                                                  chez le sculptur et qui sont la base meaccent circomflex above eme de son originalité
                                                  technique.
                                                                                                                                                                        .......

in pencil in English above the French lines His return to the primitive is a perfectly natural

                                                 thing for he can not stop at idealism, at
                                                 the abstraction & traditional sculpture.
                                                 This "neo-realism" finds in him a necessity to follow
                                                 by means of living works--the word is his - the most introspective thoughts
                                                 and the most mysterious in life.  His love of the
                                                 human figure is not the least sign of his lyric instinct,
                                                 which makes of Zadkine the rival, - the equal
                                                 of the popular image -makers? of the medieval age
                                                 and of the unknown negro idolaters. 
                                                 The best explanation of Zadkine's sculpture
                                                 is given us by his gouachesunderlined, where he likes
                                                 to portray landscapes, here is a "Zadkine style" which
                                                 must not be confused with a thousand others, these little
                                                 works full of truth and poetry -- on the other hand, one finds
                                                 a knowledge of treatment, a solidity in Composition
                                                 which one finds in his sculpture and which are the
                                                 same basis of his technical originality
                                                                                                                         signe?in pen, stroked out
                                                                                                                          in pencil Nino Frank
                                                                                                                          in pencil "L'Art Vivant"
                                                                                                                          September 15, 1930