.MTM5OA.MTIwODQ4: Difference between revisions

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(Created page with "from the dominant to the tonic in the strongest, the conventional cadence is essential that fall of dominant to tonic. But the conclusiveness is only relative because that to...")
 
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from the dominant to the tonic in the strongest, the
from the dominant to the tonic in the strongest, the
conventional cadence is essential that fall
conventional cadence is essentially that fall
of dominant to tonic.  But the conclusiveness is only
of dominant to tonic.  But the conclusiveness is only
relative because that tonic can be heard as the
relative because that tonic can be heard as the
Line 7: Line 7:
chords to strengthen the cadence and heighten the
chords to strengthen the cadence and heighten the
finality of the tonic, still there is no absolute
finality of the tonic, still there is no absolute
satisfaction.  If you and I were theologists or philosophic
satisfaction.  If you and I were theologists or philosophers
we might think of the ultimate satisfaction,
we might think of the ultimate satisfaction,
which we are never quite able to reach, on
which we are never quite able to reach, or God
innovation even as death."
or some fixed principle in the nature of man, or
 
[[^nirvana or]] even as death."
Several years later I enrolled in a summer
    Several years later I enrolled in a summer
course in violin, to be given in Tivoli.  The restoration  
course in violin, to be given in Tivoli.  The restoration  
of the Villa d' Exte was in progress and use
of the Villa d' Este was in progress and use
was to be made of five or six rooms for classes in piano,
was [[^to be]] made of four or five rooms for classes in piano,
violin and voice.  I figured my allowance carefully
violin and voice.  I figured my allowance carefully
and took passage in second class on the
and took passage in second class on the
Juileo Cesare.
Guilio Cesare.

Latest revision as of 21:17, 3 December 2022

from the dominant to the tonic in the strongest, the conventional cadence is essentially that fall of dominant to tonic. But the conclusiveness is only relative because that tonic can be heard as the dominant to another tonic to which it tends to fall, and even though we may use other related chords to strengthen the cadence and heighten the finality of the tonic, still there is no absolute satisfaction. If you and I were theologists or philosophers we might think of the ultimate satisfaction, which we are never quite able to reach, or God or some fixed principle in the nature of man, or ^nirvana or even as death."

   Several years later I enrolled in a summer

course in violin, to be given in Tivoli. The restoration of the Villa d' Este was in progress and use was ^to be made of four or five rooms for classes in piano, violin and voice. I figured my allowance carefully and took passage in second class on the Guilio Cesare.