.MTM5OA.MTIwODA1: Difference between revisions
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As [[crossed out: double]] alter ego casting just such a ring of light | |||
on the curtain | on the curtain rises on the first act of Tolstoy's | ||
"Resurrection" | "Resurrection." [[crossed out: given]] It was in Munich and [crossed out: featuring | ||
the wonderful voice of Moissi.] I knew it | the wonderful voice of Moissi.] I knew it | ||
immediately as I heard it rise, in the second | immediately as I heard it rise, in the second | ||
act, from the shadows beyond the campfire | act, from the shadows beyond the campfire | ||
and | and I was [[crossed out: sure]] [[^at least half persuaded]] that [[crossed out: it had it was from]] the | ||
green glass lampshade [ | green glass lampshade [[crossed out: that I had fled to | ||
go to join the gypsies] might have had | go to join the gypsies]] might have had | ||
much to do with the flight of that angelic | much to do with the flight of that angelic | ||
voice from the shellacked oak table and the | voice from the shellacked oak table and the | ||
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My inner life, on the other hand, whether | My inner life, on the other hand, whether | ||
asleep or awake was largely a question of my | asleep or awake was largely a question of my | ||
mother's [[crossed out: lullabyes]] lullabies. After the Garden of Verses | |||
hour with Robert Louis Stevenson and later James | hour with Robert Louis Stevenson and later James | ||
Whitcombe Riley and Eugene Field, I was sent | Whitcombe Riley and Eugene Field, I was sent | ||
Latest revision as of 04:11, 25 November 2022
As crossed out: double alter ego casting just such a ring of light on the curtain rises on the first act of Tolstoy's "Resurrection." crossed out: given It was in Munich and [crossed out: featuring the wonderful voice of Moissi.] I knew it immediately as I heard it rise, in the second act, from the shadows beyond the campfire and I was crossed out: sure ^at least half persuaded that crossed out: it had it was from the green glass lampshade [[crossed out: that I had fled to go to join the gypsies]] might have had much to do with the flight of that angelic voice from the shellacked oak table and the serving women, to join the gypsies.
My inner life, on the other hand, whether asleep or awake was largely a question of my mother's crossed out: lullabyes lullabies. After the Garden of Verses hour with Robert Louis Stevenson and later James Whitcombe Riley and Eugene Field, I was sent to bed and Mother came to hear prayers & sing songs. She was quiet & reverent during the prayers, and held me close as I mur-