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49 | 49 and 1827, there seemed to be a mania for writing for the Stage in Guada and a good many original pieces as well as translations were represented. Young's Revenge, Lillo's George Barnwell, and Kotzebue's Adelaide of Wulfingen were translated by a friend of mine as exercises in the English Language and were all well received more particularly the last, on account of the attacks it contains on the | ||
and 1827, there seemed to be a mania for writing for the | |||
Latest revision as of 18:28, 9 July 2020
49 and 1827, there seemed to be a mania for writing for the Stage in Guada and a good many original pieces as well as translations were represented. Young's Revenge, Lillo's George Barnwell, and Kotzebue's Adelaide of Wulfingen were translated by a friend of mine as exercises in the English Language and were all well received more particularly the last, on account of the attacks it contains on the