.MTIwMQ.OTI0ODI: Difference between revisions

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49 and 1827, there seemed to be a mania for writing for the Stage in Guada and a good many original pieces as well as translations were represented. Young's Revenge, Lillo's George Barnwell, and Kotzebue's Adelaide of Wulfingen were translated by a friend of mine as exercises in the English Language and were all well received more particularly the last, on account of the attacks it contains on the
and 1827, there seemed to be a mania for writing for the stage in Guada and a good many original pieces as well as translations were represented.[[Monuge Revenga?]], [[Lillas Geanza?]],[[Baonuele?]] and [[Kotgebue's?]] Adelaide of Wulf...?]] were translated by a friend of mine as [[Unclear]] in the English Language and were all well received more particularly the last, on account of the attacks it contains [[per?]] the

Latest revision as of 18:28, 9 July 2020

49 and 1827, there seemed to be a mania for writing for the Stage in Guada and a good many original pieces as well as translations were represented. Young's Revenge, Lillo's George Barnwell, and Kotzebue's Adelaide of Wulfingen were translated by a friend of mine as exercises in the English Language and were all well received more particularly the last, on account of the attacks it contains on the